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It seems that the promotional text pursues a two-fold strategy when positioning its product as both domestic and transnational. While it calls low-key attention to certain cast members who enjoy transnational esteem, the text does not risk selling its wares as a genuinely international picture.

Commercial register, HRA

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Another aspect adds to the ironic stance the text adopts on the bloody spectacle which is its subject. Still, the author of the first draft kept working on the production in the capacity of executive producer. Moreover, one would assume these statements function to position Mark of the Devil , although an exclusively German production in terms of funding and execution, as a transnational film.

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While it calls low-key attention to certain cast members who enjoy transnational esteem, the text does not risk selling its wares as a genuinely international picture. A decade later, this trend had waned and Kubaschewski was forced to diversify her programme.

Furthermore, the text anticipates a fully-fledged film cycle in the tradition of Mark of the Devil.

Actually, certain members of the cast were of international standing. The analysis will reveal how aspects such as authenticity, the depiction of violence and sex, trans- national reputation and topicality were used to sell the movie.

Maybe spectators that did not really bother about witch cults in England could rather be seduced into watching a film related to domestic superstition. This article attempts to fill this gap, considering previously ignored materials preserved in German film archives.

Pressematerial verschickt und hatten zum Start nur vier oder fünf Veröffentlichungen. The Production of Mark of the Devil Munich-based distributor Gloria, led by Ilse Kubaschewski, represented one of the most influential companies in the German post-war film business.

From Weimar Cinema to Zombie Porn. Conclusion It is crucial to acknowledge that this alternative advertisement complements the version referencing occultism in the UK in order to create another potential connecting factor for audiences.

A History of Spiritual Practices. Mark of the Devil as a Literary Adaptation These claims of authenticity, also raised by Armstrong, [23] can be related to the book of a nineteenth-century historian. The announcement alters its tone considerably, presenting the film rather as a social problem picture than as lurid exploitation.

They watched the tongue-tearing scene, did a couple of interviews and returned to Munich with Hoven the following day. Another aspect adds to the ironic stance the text adopts on the bloody spectacle which is its subject.

This kind of bombastic rhetoric reminds one of voice-over narration common in another contemporaneous popular genre, the Italian mondo cycle. Dölling und Galitz, — Yet, the German Roman is not spared dire pain. Of course, it was not completely denied that he had contributed to the picture.

I would like to point out there exists another promotional document mainly relying on textual information.

Excessive violence in combination with sexual titillation certainly possesses an overriding importance in the entire marketing campaign. Contemporary discussions in trade magazines confirm this problem. Although a part of the original advertisement was published in the Stuttgarter Zeitung , it was compromised due to its incomplete reproduction and the ridicule contained in the accompanying disclaimer.

The announcement alters its tone considerably, presenting the film rather as a social problem picture than as lurid exploitation. As Witches Tormented Till the Blood Flows [54] represents the final title under which the movie was released, the set thus stems from a later stage in the marketing process than the advertisement including the TORTURE variant of the title.

These closing remarks virtually elevate the movie to a humanist project with universal appeal. Neither aspect is emphasised too much in order not to alienate two differently orientated segments of Austrian, German and Swiss audiences: Still, evocations of realism, which might be understood as allusions to the nineteenth-century study, pervade the short article.

The main body of the text is italicised, which I do not reproduce for the sake of readability.

Allusions to a selection of historic cases leads to an account of the belief in witchcraft in present-day Germany. Besides dental prophylaxis and noise pollution, the society also dealt with coeval occultism in the s. For a case history of a seventeenth-century trial taking place at Moosham, see Klammer, P.

Aus den Quellen dargestellt History of the Witch Trials: Notions of Nationality In addition, the excerpt puts forward a specific notion of Great Britain.

Mark of the Devil. Still, evocations of realism, which might be understood as allusions to the nineteenth-century study, pervade the short article. The compilation comprises several sheets of paper associated through their identical layout: Notions of Nationality In addition, the excerpt puts forward a specific notion of Great Britain.

The fact that Hoven and Armstrong availed themselves of it was omitted later. Still, it might be reasonable to assume that the advertisement attempts to maintain the balance in catering to divergent audience types.

Collection of the text archive, Deutsches Filminstitut Frankfurt. The main body of the text is italicised, which I do not reproduce for the sake of readability. Of course, such a strict division in terms of audience preferences represents an essentialist critical construction.

The fact that Hoven and Armstrong availed themselves of it was omitted later. Commercial register, HRA Using a phoney rating and providing a sickness bag, distributor Hallmark not only flustered the Motion Picture Association of America, [1] but contributed to making the German movie an eminent box-office success in Still, the Stuttgarter Zeitung advertisement does not refer to Lom as a renowned actor already well-established in many national film cultures.



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